This blog is intended to initiate discussions and provide feedback and answers to questions regarding the reproduction of color. The focus will be in current issues in color management, ICC profiling, ink and paper, print management, soft and hard copy proofing, printing technology... pretty much anything that interests me related to printing.

Sunday, March 25, 2007

And one more thing...

... now that I think of it directed to TAGA administration peoples.

Please, publish the TAGA Proceedings online!!! Please!

This wealth of information is going to waste in this digital age and it is a shame not to utilize the technologies available to help researchers further their work and professionals get answers. I became a member hoping to be able to access these issues and I cannot (unless I am doing something wrong). Not even the abstracts!!!

I'm not strong with economics and market prices, but you could sell each article for like $12-15 to non members, and $8-10 to members... or something similar. IS&T has a model website for it, where we can review the abstract and go on and purchase the article.

I would love to have the TAGA proceedings online. Please do something about it. I volunteer to help.

-D

Summing up TAGA 2007

Well... I had a nice time myself. The hotel bar was pretty good and I hit Pittsburgh on Saint Patrick's day!

Seriously now:
I would love to see more attendants next year in SF. We were about 170 people. We can be more. There are lots to learn. Technical people can have a serious benefit in attending this meeting: Networking! Not so much in terms of making friends, but in terms of meeting the people that can provide an answer to their questions when the need arises. As Mr. B. Blom put it, throughout his years at TAGA that was the main benefit: the people! Well, you got to be a printing nerd too to enjoy it.

The students were an enthusiastic crowd as well (getting lost in conversations about density at the bar is absolutely awesome). Compliments on Cal Poly on winning the brochure award - of which I am particularly proud since my company happened to design and produce their packages; which I only became aware at the conference, mainly because I am knee deep in our litho department at work.

Top topics of what I have retained:
#1 There is a lot of research going on on RFID. I hope it works out.
#2 There is another definite tendency to move to colorimetry for process calibration, and why not control. It shall need a huge effort on technical and managerial level, but it can work and provide solutions were density fails short (workflow solutions and color portability, as well as spot colors I would say on top of my head).
#3 I retain the research on the low VOCs. It is important to be prepared for it... if possible!
#4 The discussions and presentations on colorimetry issues and ICC profiling (including mine) however -I have to say- are falling short of the research that is going on in imaging and color conferences. We cannot expect the printing industry to lead in this field, but we can definitely expect to publish some research on the applied elements of ICC profiling and colorimetry for the printing processes.
#4a. we need to work on color difference equations
#4b. we need to establish a linear relationship between IFT, density, dot gain and CIELAB.
#5 Paper companies were criticised -and forgiven nonetheless since it is realized that they are bound to price demands- for UV brighteners, standardization of white point, and to a lesser extend paper properties that affect printability for various processes.
#6 G7... well... read previous post!
#7 Process variation issues discussed and researched and found awful. Well: welcome to litho... and as professor Chung would say: variation is the 'nature of the beast'. Pretty much: 0.10 density units is something very common as natural variation, and it results in about 5.0 DEab... reminding me of William Burroughs novels, where drunk and angry press-boys wonder on saliva and the loose limbs of grey crocodiles and pink elephants (huh?!?)

Farewell,
-D

G7 on TAGA

There was lots of discussion regarding G7 on this years TAGA conference. There was a session devoted on it. Everyone could chip in a comment. Most of the comments were against it. Why? There was only one published paper on it. Apart from this, there was no published research to substantiate the unfavorable comments. The research community should be the first to know that we need to back up our claims with research.

Being on the field right now, I NEED to be able to read published results regarding any new technology that can help me be more productive, and I need it from this community. Going into endless discussions about how and why it doesn't work is totally worthless, if not damaging.

The main argument against G7 is that it doesn't take into account the color of the inks. Profiling does. Even more, device link profiling is able to calibrate the presses and in the same time take into account the colorants. I buy that. I have tested device link profiles and I know that they are able to do an amazing job. Within the next month, I will test out G7 as well and see for myself if it works.

I have to comment on Dave McDowell's efforts (who was awarded for his immense contribution to the industry) to close the gap between the group that is for and the group that is against G7. Dave, and the particular ISO committee are trying to put G7, ISO 12647 and device link profiles into agreement taking the strenghts of each method into account. I would love to see the ISO document and I hope that it comes out soon enough.

Tuesday, March 20, 2007

Characterization of Conductive Polymer Inks Based on PEDOT: PSS

by Erika Hrehorova, WMU

Erika started her presentation commenting on the need to continue the research on printed electronics, stating that there is a future along the line.

The goal of printed electronics is to create structures and devices that are similar in functionality with conventional electronics, but at greater speed, lower cost and less production complexity.

Ink conductivity is achieved by mettalic or other conductive particles incorporated on a non-conductible polymer matrices, or by using intrinsically conductive polymers in suitable solvents.

PEDOT:PSS based polymer inks are water soluble polyelectrolyte systems with good film-forming properties, high visible light transmittance, and excellent stability and it commercially available as aqueous dispersions. The main problem is substrate wetting and ink spreading. In this work it was modified with addition of alcohols and non-ionic sirfactants.

It was found that ethylene glycol decreases the surface tension. Surfactants and alcoholic co-solvents were used as additives to further reduce the surface tension of water based systems. It was found that ethanol was more effective in the reduction of the surface tension, as well as in the improvementof the surface wetting under both dynamic and static conditions. Addition of ethylene glycol increases the conductivity and improves the uniformity of the polymer layer.

losing momentum towards the end

So... someplace here the 'live' blogging sort of ends. I think I lost momentum today... missing a number of speeches, plus having to present my own paper.

I will make a couple of more summarizing posts within the next few days. I know that what I wrote was incomplete and most likely focuses only on the results... but that was the best I could do. To get more information: become a member... it's not that expensive and there is a wealth of knowledge available. Next year it's in SF.... providing an opportunity for me to get out of the Valley and family-oriented Modesto, and for those willing to come, to see SF. It's really a great city!

-D

Analysis of Color Rendering in Digital Cameras

by Jason Lisi, Ryerson

Lack of standardization of raw data. Only the camera vendor knows what the camera is doing, and companies like adobe have to reverse engineer the images to find out what is going on.

so the path is: CCD Data -> Raw Data -> RGB rendered data

The question is: can this color rendering step be isolated, mapped and predicted?
They used 6 rendering s/w, 5 raw format and one JPEG and assigned the sRGB profile.

Neutral (as well as quandrant) rendering is good from different vendors, but color matching overall is not as good.

Wiggles

by Franz Sigg, RIT

This is an experiment Franz run across while I was still in RIT. Apparently, what Franz found out by chance in a first press run intrigued him, and he repeated the test focusing only on the 'wiggles'. The days at RIT were really nice.... when I was working late at the labs, every other month would come to me, all excited at 10 or 11 in the night, needing to communicate what he found here or there, every time about something new and interesting.

in this experiement, he found large deviation from the target value of a large printed target across a target with small incremental value increases. He assumed it was press nonuniformity of the inking, or the press, I guess mostly on the circumefential direction of the printing cylinder, and even more specifically at the lead edge of the sheet. He suggested to use two randomized targets and average them.

And a final remark was that the tolerances for printing are very hard too keep.

Color Difference Equations and the Human Eye

by Martin Habekost, Ryerson University

Discussion on the color difference equations. DEcmc introduced the weighting factors and was developed for the textile industry. It is used widely for color matching in the ink manufacturing industry.

Second revision was on 1994, again with weighting factors that are adjustable as well. It is even more realistic than cmc, but it has weaknesses in the blue and violet region.

So CIE made DE2000, which is considered to be the best and is recommended. It is not used in the industry though. What I have heard is that it moves the color space around and it creates a moving color target.

Martin suggests after the experiment that DE2000 or DEcmc are to be used, and preferably DEcmc because the data were more coherent.

Q&A
Important considerations were raised during the Q&A section. First, Dave McDowell focused on the need to establish the weighting factors that are more fitting for our processes. After all, the developers of these equations reccomend each user to develop the factors that suit their processes best. Why don't we do so? One might say: lack of awareness or knowledge, or time to test out what is more fitting. I've seen people using a DEcmc(2:2) as QC. You cannot imagine what comes through as OK with these factors. I have seen some others using factors that narrow down the variation of hue, but allow variation in chroma and lightness. This should be very useful for the ink making process, where hue is the most critical parameter. However, the variations during the printing process would be on IFT, and if C* (being sensitive to IFT variations) has a wide tolerance, it is likely to be very forgiving... more than what a customer can forgive.

Densitometric and Planimetric Measurement Techniques for Newspaper Printing

by Maria Wroldsen, Peter Nussbaum, Jon Hardeberg

an investigation of the statistical relationship between densi and planimetric measurements on newsprint. Is it possible to convert planimetric to densitometric and vice versa?

They used regression analysis with 2nd order polynomials. Each color was studied individually. They used a training set to establish the model and a test set to evaluate its performance. They did all the repeatability tests as well.

The model is not good enough for prediction, since it exceeds 2% tolerance that is the target for dot area meters.

It's interesting that they did this experiement because of the increased use of measurements in Norway

Monday, March 19, 2007

Method for Calibration of a Printing System with digital Data using Near-Neutral Scales

by Dave McDowell, Consultant

There is a change in the game, cause more than 95% of content data is exchanged digitally and there are many options to manipulate the data... BUT no standard method to do so.

Dave created a model workflow: we need to determine a stable operating position AND match both aim targets and overprints. The system should be adjusted for in-gamut colors.

so how can this be done: adjust the process parameters or adjust the data.

Platesetter curves, rip curves, TVI curves, NPDC curves, device link profiles...

At ISO TS 10128 calibration standard meeting the committee focused on agreeing on the last three. One point that Dave makes thepoint that in effect there are no densities that are defined outside a CIELAB color space that is not based on some other characterization data. There are no densities as standard targets that are device specific. As I quickly understand it, and I might be wrong, this TS will help narrow down the specs by standardizing the calibration and using the strenghts of these approaches.

A Theoretical and Experimental Comparison of GRACoL and ISO approaches to Press Characterization and the Data Set Produced.

by Greg Radencic, PIA/GATF

There is admiteddly great discussion for different color controls on press. This paper attempts an objective evaluation.

ISO 12647-2 defines colorimetric values for CMYK solids and densitometric control of tone reproduction. Grey balance is a secondary control in ISO.
G7 is a calibration method for proofing and printing and uses colorimetry through grey balance measurements.

When they run the G7: the calibration software doesn't perform a good calibration to grey below 30% and above 60% dot areas. G7 has admitted the problem and they said they will fix it. (I jut bought the s/w by the way... a bit disturbing to know that I bought sthg that might be wrong!?!)
When they run the ISO: it was succesful with nice grey.

The Effect of Certain Process Parameters On Inherent Color Variations on Press

by John MacPhee, Baldwin Technology Company Inc.

John asks the question what is the expected upper bound of inherent type density variations for the lithographic process and provides an answer.
Then he suggests to reduce the density variation by changes in substrate, screening, use of waterless process and use of gravure inks. His study showed that none of these 4 parameters made any difference.

The main cause of variation is random IFT variation due to transfer.
There are three types of density variation: a. factor or color (Y being the smallest), b. screen area with picks of shadows, and c. location in the sheet.
The answer to the question what causes the variation is that it is variations in IFT or slurring.

The Benefits of Concentric Screening for Offset Lithography

by Mark Samworth, Artwork Systems

A concentric dot is a regular AM dot divided into rings.

Mark describes differences between AM, stochastic and concentric screening. Well... concentric has the best of both worlds... Organic (2nd generation stochastic by Artwork systems) has better registration, low visibility, fine detail, press stability, color saturation, ink savings..... disagrees however that has better registration. Mark claims it is actually worse than AM screening. Main difference is the savings in ink, because of the rings that decrease the amount of ink film that builds up on the surface.
The benefits of stochastic screening is the smaller dot size. And concentric screening has a smaller size.
The benefit of AM screening is that uniform patterns appear smoother visually.
So... concentric screening combines both.

Plus, concentric screening has higher chroma and is adjustable on press.

Effects of Rendering Intents in Color Management

by Anthony Stanton, CMU and Mark Bohan, PIA/GATF

Focus is to compare the color renderings associated with the applications of different rendering intents in a color managed workflow.

4 vendors / 4 rend intents +1 with no color mgmt / 5 samples

Suggest the use of DeltaE2000 as a better, more accurate metric. The older DeltaEab overestimates color differences, and depends on hue, saturation and color levels (non uniform in CIELAB color space).

The study was mostly descriptive.

How many DeltaEs are there in a DeltaD?

by John Seymour, QuadTech

Kind of attacks the ISO 12647-2 standard. There are three reqs:
The first req is that we make a proof and we have to match the target LAB values. Then, the second req is that the OK sheet must meet the LAB values of the proof. Then the press run is the same, having to match the LABs of the OK sheet.

John's thesis is that it is possible to maintain a given DeltaD throughout a press run and n this way maintain DeltaE.

L* and density have an almost linear relationship. You can predict L* based on density when paper is a given.
Another conclusion is that we cannot use density to compare proof and press run, mainly because of the impurity of the inks (plus different pigmentation).

The Impact of Changing Fountain Solution Chemistry and Press Consumables on the Runnability of a Web Offset Press

by Dr. Mark Bohan, PIA/GATF

Need for standardized fountain solution with types of paper, inks, presses and printers (well.. of course)

The project evaluated impact of process variables on a web press when fountain solution chemistry changes.
They used a traditional NA fountain solution and made variations of it.

Well.... there were 42 press trials 'successfully' completed. The results are pretty much broad and hard to sum up here.
One I retained was that stochastic screening takes more time to stabilize. Water levels change throughout the press run, but do so rather consistently. The chemistry of fountain solution affects the performance of the press run and can be optimized per process.

The Printing Problems Created by the Use of Reduced VOC Washup Solvents and Their Effect on Press Conductivity

by John MacPhee, PIASC Solvent Task Force

Regulations cause south CA printers (all of CA printers actually) to use solvents that contain low VOCs (no more than 100 grams/liter).
What are the problems:

1. Longer makeready times following a roller washup. Mostly due to print defects. The problems didn't show up immediately. Solvent accumulates on the rollers, then it would be released and dilute the ink. Terrible effect. Ink tack is dramatically reduced.
REMEDY: Follow normal washup with an aqueous fluid (???). But it takes more time to washup the rollers.
2. Some low VOC solvents become bonded to the rubber when absorbed, causing the rubber in the long term to swell and become harder. Swelling is not uniform.
3. Some older washup systems apply more solvents than needed, which results in drips of fugitive solvent that can cause print defects and/or produce a safety hazard. But with high VOC this evaporates. with low VOC the amount of 'fugitice solvent' it collects someplace and creates problems. The solution is a third generation of systems that we got the solvent applied on a pre-soaked cloth.

Conclusions
1. When less than 100 gram/liter the problems created are very real and involve productivity deficiencies and also equipment and material costs.
2. CA will have less productivity and will be less competitive.
3. It should be stopped before it goes all over the US.

Honestly, doing some research on my own... it is a horrible thing and I have to find a way to solve it for my company.

The Effect of Ink Film Thickness Variation on Color Control in the Circumferential Printing Cylinder Direction of Offset Presses

by Manfred H. Breede, Ryerson University

'Imperfections of the ink system design' as an opening statement. It goes straight back to our discussions with Eric over previous posts of this blog.

Gravure has direct transfer... no ghosting.. less variation.... very uniform amount of ink in x and y directions.
Flexo is consistent as well, due to replenishment of anilox rollers.
Screen printing is extremely uniform as well.
In digital printing the digital file is electronically linked with the imaging device.

And then.... welcome to litho:

Large roller train creates variation. The problem lies in the ink free zone of the cylinder gap. Moreover, the form rollers need several revolutions in the circumferential direction, and it is not easy to deliver the same amount in every revolution. In addition, the ductor roller oscillates and disperses a very think and unequal ink film. Finally, disruptive factors also include the image area configuration.

They printed a test form (0-100 tints) four times, starting with G7 standard density values and decreasing them every press run. they compared it with electrophotography.

There is density variation is about 0.10 points for all the process colors. The DE measurements show that the less ink resulted in more color variation (up to .15), but when the standard was run at the standard densities it was pretty much within 5 DE.

Manfred claimed that this was due to problems of the colorimetric system.

Q&A
First the DI press was a bad press.
The test form might cause ink starvation.
These were serious objections to the results of the test.

Liberty Inks

by Steve Miller, Sun Chemical

They require less water... I can say that they have a smaller ink/water balance tolerance. so true... Steve also mentions that they need to change the mentality of the printer.
Drainage to the surface of the substrate varies a lot due to the substrate properties.

The resin system requires less water... if you make it right it is more stable.

ROLAND InlineFoiler Prindor

by Hal Stratton, MAN Roland

The ability to foil in line and print on top of it.

1. varnish type of glue applied prior to the application by an extra unit
2. blanket
3. foil is applied to the glue

Like it too. Sheet fed: ROCK ON!

Multiple reel allows different configurations (less waste too I assume) and different colors or types of foils

Q&A
They are looking for RFID. I'm tired of listening about Walmart. Higher gold conductivity is a solution as Henry Freedman says. There are arguments about of the costs of RFID... not again the walmart story....

Genius 52 UV

by Chris Travis, KBA

Small press with nice design. Waterless UV, first time I saw it it was in Drupa.

It uses a single impression cylinder with up to 5 colors. It uses a chambered doctor blade duct, an anilox roller, then an ink forme roller, the plate and last the blanket cylinder (I like it!!!). Then you get the usual huge KBA impression cylinder, common to all the printing units.

The wide variety of substrates it prints on is impressive. They also claim that you get makeready in 10 sheets, since you get away from ink water balance (no water, no ink keys, plus the anilox roller should give a better control of the flow of the ink).

As I said, I like it.

Q&A
How do you take the ink out of the anilox roller. (Is there a catch?) They have a temperature control unit that practically adjusts viscosity of the ink (different kind of inks too) and in effect controls density (within a narrow window... i guess there was a catch there!) So the anilox roller is the key. I would love to know the window. For sure, taking away the ink keys is huge, but it decreases the control of the pressman over the process.... so... if things are not going PERFECT on the press... you have no room to 'save' the job on press.

No ghosting because all rollers are the same size... clever!

Zero Slip Nips

by Dan Perdue, GOSS INTERNATIONAL

We are talking about folder nips "transferring multiple webs more reliably, consistently and professionally". The difference is on different mechanical properties of the new folder nips.
I guess better print-to-cut registration and decrease in makeready time, less maintenance and splice sensitivity are the advs. Less waste too.

Technology Awards

#1 Adobe PDF Print Engine
Touchless workflow.... minimizing 'touch' points => maximizing productivity
The less pdf to postscript conversions the less the issues/ problems.

#2 Microsystems Microcip Software
Facilitation of automation with CIP3 data

#3 DALiM MiSTRAL
Web based ... lost it... too fast

#4 WebCenter
3D modelling for packaging, plus communication tool between depts for complicated workflows

#5 Mx6 Magnum (GFI innovations)
Ink mixing equipment for higher accuracy

#6 DeskDirect
Hybrid mail solution

#7 XMPie ulmage
Fancy personalization technologies in Adobe CS2. Self programming

TAGA 2007 in Pittsburgh, PA

In case you haven't figured out, I'm at TAGA, taking notes of the various presentations. I guess I should have started right away with an intro on what I'm doing, but I preferred to cover the first topic rather than write the intro.
Now it's the first break, so I got time to do that. I'll be editing typos and thoughts later tonight or during the week.
So... this is going to be on note style. It's not going to be complete coverage of the topics, just what captures my attention. But it's going to be live and I hope that you'll find it interesting.

-D

The Joy of Coating - A review of the latest trends in coatings, varnishes, and primers used within the Graphic Arts Industry

by Graham Battersby (Business Consultant)

Funny guy... starts with a joke.
So gloss is an important effect for packaging, labels, publication covers.
He goes on.. gloss is just an aesthetic effect... but there are benefits of functionality, increasing the COF for example, or abrasion resistance... very true.
Comment about high level of interest in special effects that is not matched by sales volume.

Differential (matte, high gloss) gloss gains popularity.
Reticulating coatings are fancy. He shows a video that gives a 3D view to the water drops on a printed apple.
Low or no odor coatings are mentioned as well.
Coating units at the beginning of the press is a new idea I've heard yesterday and today.

He makes a good point that in order to increase the sales volume we have to discuss the design of the package before going into the technical parts. That would definitely increase the sales, and that's how it should be done, but only with collaboration with the printer... some of these printing effects have a high risk of failure when put on press.

Sustainable packaging is brought to caution, that we all must consider for coatings as well.

The Q&A ends up where i expected. These coatings are tough to use. I would say we (as printers) need support from the suppliers for specialty coatings such as these. Good communication is a must when you deal with such specialty products that have special needs.

Printable Foils - New options for packaging designs

Presentation by Ray Verderberger, Eckart America.

Ray starts with an outline of the manufacturing of printable foils and the fact that they are useful for creating nice effects.
What interests me is that they are using the term brilliance to describe the metallic gloss. The bigger the particle (flexo) the higher the brilliance due to less light scattering from the edges of the particle, the less the opacity. Conventional metallic pigments for offset are exactly the opposite, having the constrain of the ink film thickness that goes through the press. However, the VMP pigments, in comparison to conventional pigments, are even finer but, can be applied in a high concentration and moreover be aligned... in this way they can achieve both high gloss and good opacity. They work excellent with flexo and gravure, but not as good with offset printing processes. The smoothness of the substrate is another factor (the smoother the better). An interesting point is made that since printable foils are applied as inks, they have much less waste than hot foil stamping, where you throw away the foil that doesn't remain on the product. I guess from an economical standpoint, they are a sub mostly for foils and not conventional inks. I might be wrong.
Another term that Eckart is coming up with is leafing, referring to where the metallic pigments fall within the ink layer.

Saturday, March 03, 2007

Density Standards

What is the best status density for controlling a process? First of all, what do we mean by 'best'? I would say that for process control purposes, 'best' should be the status density that allows the most sensitive response to ink film thickness (IFT) variations. Depending on the application (metallic colors, fluorescent colors, process colors, wet or dry readings) this might vary. With that in mind, we should be looking for the density response that amplifies the particular wavelenghts that correspond to the spectral reflectance of a particular color. Le'ts focus only on process colors.

Examining status T and status I densities, it was obivous that status I densities are far more sensitive to unveil variations in IFT than status T. Status T densities were developed in the film era to make the separations. Thus, they needed to be broadband, and capture a good deal of the wavelengths involved. For process control however, the spectral reflectances of process inks are pretty much known, and thus this 'spread out' is not sensitive enough to amplify the response and allow the user to see IFT variations, at least not as much as status I does, where we have a much higher peak. Status E densities are almost the same with status T densities, with the exception of a higher sensitivity of the yellow filter.

Another issue is polarization. Polarization was developed in order to be able to make the dry densities look like wet, by taking out the diffuse reflectance of the light from the substrate. When the ink film is wet, we have much less diffuse reflections, and higher gloss... the beam of light that returns to the densitometric sensor is more focused. The problem with polarization is that it is complicated in its calibration. It's not always convenient to have a wet sample as a standard.

Why am I going here? US is on status T, Europe is on status E. We are talking about global process control standards (ISO, GRACoL7 to name a few)... but we have different measuring practices. In that sense, having the 'best' status density would mean to be using the status density that adheres to the regional standard. In this way we would be able to communicate efficiently with our suppliers and customers.

The situation gets a little more complicated when we are dealing with press manufacturers. A lot of them are in Europe, yet they are selling their presses in the US. Do they, or their subcontractors, adhere to the US standards? Should they? In order to answer this question (without wanting to go to the obvious, long-term solution of finally setting global standards) they should ask and answer the question what is best for their customers.

If I was the President (as we used to say in my village), I would setup either status I, or status E densities for all. I am a UV printer, so I do not care that much about polarization -easy way our, right ;) But we are status T in the US, and I am not, neither want to, be the President. So, that necesitates me having status T, unpolarized, even if it is worse that status E or status I.

To be more particular, and after having briefly talked about the different technologies, in my company we have online press controls that are status E, polarized, and they are pure old densitometers (no spectral densities here). The reason we do not have spectral readings converted to densities is that we have to be able to take fast readings of the color bar for process control. A spectral reading, sampling the entire range of wavelenghts at 10 or 20 nm would be slow. Our software (which is in every other aspect absolutely amazing and the best I've seen in the industry, check out
www.lithec.de) offers us the opportunity to calibrate our polarized density readings to the spectral density unpolarized readings of our handheld instruments (500 x-rite series). Confusion builds up.

Overall, it works just fine, but when we have to move to a different range of densities, it fails... especially for the yellow and black filter readings. The easy solution is to recalibrate not from a given standard, but from the printed sheet itself. In this way it would be somewhat wet (to take care of the unpolarized-polarized confusion) and in the right range of densities. What do I mean by the right range of densities? Without having done any research on the topic, I would think that since density is a non-linear response, when you calibrate to a 1.30 dY, and then you print at 0.90 dY, the conversion factor in the software does not simulate the nonlinearities of the varying IFT. I guess there wouldn't be a nonlinear conversion factor for it either. The difference between spectral and filter density makes it even tougher.

(Standardizing the readings of the spectrodensitometers is an entire new chapter... even less probable to be solved. If I remember correctly, the falacy of color theory is in lacking a standard white point reference... I shouldn't be stating this without opening my books cause I do not remember exactly, but I think that that's it).

Anyway, explaining all these to our manufacturers' we were able to get them working on some status T, unpolarized density filters. Will they work? I hope so... but I do not know so. Would we be able to adhere to the US standards better, with the downside of having less sensitive process control? Might be.

We have to take our risks, do our research, and find out... otherwise we would still be using our eyeballs for process control...

-D

PS> Don't get me wrong, first and last for process control is the nice, old uncalibrated eyeball and these undetermined pathways to the V1 and V4 cortex areas and then to perception! We just need systems to support all these!